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1974 – Year Five

1974 – Year Five

Dealing with problematic choices

On May 13th, 1974, The Locomotion by Grand Funk was the #1 song. You haven’t lived until you’ve seen this song performed by shirtless men. Truly surreal. I narrowly missed Ray Steven’s The Streak (don’t look Ethel!).  When will our long national nightmare end? Other moments of significance from 1974: Nixon resigned (and was pardoned by Ford), Hank Aaron passed Babe Ruth for the all-time home run lead, and The Freedom of Information Act was made law (over Ford’s veto.  I’m not sure I realized how big a bag of dicks Gerald Ford was.) On to the choices.

Blue Swede Hooked on a Feeling album cover

This is my first major edit to the original list (see below). The Ooga-Chaka is one of the best introductory hooks in all of rock and roll. And when the a capella verse give way to the double drum beat in the chorus, the earth moves. A quintessential one-hit wonder, Blue Swede caught lightning in a bottle with this track.

Back in 2012, my first choice for this year Lynyrd Skynyrd’s Sweet Home Alabama. It’s a track I’ve grown up with and has long been a staple in many of my playlists. Even in 2012, though, I experienced some cognitive dissonance around the racially suspect language and its not-so-thinly veiled support for a white supremacist. Twelve years later that dissonance has become impossible for me to ignore. I’ve read all of the stories about the “real message” behind the lyrics, but ultimately, I find the apologists’ interpretation flawed and willfully blind. Even one of the original writers of the song spoke to the band’s overt support of Wallace. I simply had to replace it.

The Doobie Brothers What were once Vices are now Habits album cover

Technically this band is from California, not the south, but there is no doubt that the sound of The Doobie Brother’s Black Water is as southern as it gets.  It’s the harmony during the Dixieland exit that gets me every time.  This one is definitely more sing-along than dance number, but, hey, people need to get drinks, right?

Two choices that were difficult to leave off the mix were Kung-Fu Fighting by Carl Douglas and Killer Queen by Queen.  The first felt too similar to last year’s offerings [2024 – Also, with experience and learning, it’s problematic as hell. Turns out my taste in 70s music suffered from a lack of sensitivity.], and the second is the second-best option for Queen, but oh so close. (The first-best option for Queen is forthcoming.)

Nathan’s choices for this year were The Joker by The Steve Miller Band and Bloody Well Right by Supertramp.  I have the former as being released in 1973, but even so it wouldn’t have beat any of the choices I listed there.  The latter is another song I’m genuinely peeved can’t be on my list.  At least with Kodachrome last year I had other Paul Simon choices to look forward to.

Comments

4 responses to “1974 – Year Five”

  1. The Crank Avatar
    The Crank

    My entries for ’74 are Tell Me Something Good, by Rufus, and, because it was the first single that I ever walked down the hill to the strip mall record store and bought for myself: Spiders and Snakes, by Jim Stafford. I won’t try to defend that last pick overmuch, but Stafford really touched on my slowly awakening libido with that one.

    1. The Crank Avatar
      The Crank

      I suppose Chaka Khan deserved to be included in my Rufus-centric citation. Sorry, Chaka.

    2. jimpax@gmail.com Avatar

      Tell me Something Good was very very close to being my replacement for Sweet Home Alabama, but we had just come off of two back-to-back funk songs from the previous year, so I went with something pop-ier.

  2. Nathan Avatar
    Nathan

    Tell Me Something Good is awesome. I like Black Water a lot, but if the Doobie Brothers had made my list it would have had to have been a Michael McDonald-heavy track from Minute By Minute, a 1978 album my parents had that I listened to on heavy rotation as a kid.

    I would skip Hooked on a Feeling *because* of the “oogachaka,” which I hate on its own merits, and I hate the Ally McBeal dancing baby, and it also doesn’t fit the rest of the song at all. If there’s ever an example of a producer adding . . . huh. Wikipedia tells me Blue Swede’s version was a 1973 cover of a 1971 cover of an original 1968 recording. The oogachaka was added in that intervening 1971 cover and included by Blue Swede. I just listened to the B.J. Thomas ’68 version without the offending caveman absurdity, and it’s a good song!

    The Joker is an idiosyncratic personal choice. When my wife was in France for a year of college, an eager Frenchman trying to hit on her leaned in close and whispered, knowingly, “some people call me d’ space cowboy.” Seeing her incredulous look, he added “some call me d’ gangster of love.” He seemed genuinely hurt and offended when she burst into laughter. So this song is in the playlist to make her (and me) laugh.

    (Remember that my rules allow dating by release of single, release of album, or the year it’s highest on the charts “Released as a single in October 1973, the song [The Joker] topped the US Billboard Hot 100 in early 1974.”)

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